Yay, happy birthday to Override! I'm so excited for it to be out in the world so you can all find out what happens next for Adrien and Zoe!
Book release days are weird as the author, at least I say that with the little experience I've had with Glitch and Override. The big day doesn't feel as big or momentous as you think they should. Or maybe it's just me. I worry sometimes that I don't react like other people to big life events. For example, when the nurses handed me my son after he was born I just kind of stared at him and was like, ok, wow, this is weird. I hear all these stories about moms going on and on about that first moment of overwhelming love and joy when they finally meet their child, and I was just like, all right little alien creature, let's try to figure out how to feed you.
I feel similarly about my book releases. I've heard other authors cry with a sense of joy and accomplishment when they get their author copies in the mail, and I've just been like, oh look, it's that book I wrote and isn't it weird to see it all type set in pages instead of in my Word document. I've been a little out of it this week since my fam and I've all been sick, and realized at eight o clock yesterday that, whoa, my book comes out tomorrow! *blinks in surprise a few times*
So um. Yeah. Weird baby syndrome strikes again. Being an author sorta feels real when I go into bookstores and see my book on the shelf, and when I see a bunch of the other books that are written by friends and acquaintances. So I think, well, maybe I'll feel like a real author when I've written ten books, or some other arbitrary number. Or maybe not. Motherhood still doesn't feel like any of those stories I heard about how it would feel, so maybe being an author won't either!
Tuesday, February 12, 2013
Wednesday, February 6, 2013
Playlist for Override
Music is a SUPER important part of my writing process. I
listen to music as I’m writing, and I usually try to match the album I’m
listening to, to the type of scene I’m working on or the character I’m trying
to figure out. Adding music to my creative process has helped SO MUCH with
accessing the emotional core of a certain scene.Zoe’s lonely and isolated in the beginning of Override, so I’d listen to Portishead’s album Dummy when I wrote those scenes, to get a mellow, lonely vibe.
When I was writing a scene with Adrien, I’d
often listen to the Blue October album, Foiled
for the Last Time, but only to the second disk that was recorded live.
There’s so much anguished passion in the lead singer’s voice—and that exactly
fits what Adrien’s going through for part of Override. That kind of raspy,
screaming fury about things he’s afraid of.
For action scenes, I’d often listen to System of a Down’s
album Toxicity. The driving, almost
angry, metal beat gets my heart pumping. Perfect for writing pounding action
scenes.
Zoe’s album would be By the end, Zoe’s anthem for all the action at the end of the book would definitely be Adele’s “I Set Fire To The Rain”!!!
Also check out the on-going blog tour for Override and get a chance to win some great prizes! Override's Tour Page at Rockstar Book tours
Monday, February 4, 2013
Override BLOG TOUR!
It's that time again! Override comes out next Tuesday, the 12th! Check out my stops on the blog tour over the next couple weeks to enter to win signed copies of both Override and Shutdown, read interviews with me, and check out reviews!
Tour Schedule:
Week One
Feb. 4th
- Burning Impossibly
Bright - Guest Post
Feb. 5th
- Shortie Says -
Interview
Feb. 6th
- Bengal Reads -
Review
Feb. 7th
- WinterHaven Books -
Character POV - Adrien
Feb. 8th
- The Girl in a Cafe -
Interview
Week Two
Feb. 11th
- Paranormal Reads -
Review
Feb. 12th
- Books of Amber - Guest
Post
Feb. 13th
- Paulette's Papers - Review
Feb. 14th
- The Book Belles - Guest
Post
Feb. 15th
- IB Book Blogging -
Interview
You can also find the schedule on:
Override's
Tour Page at Rockstar Book tours
Monday, January 14, 2013
On Writing What You Know
I’ve been thinking about the kinds of stories I want to
write lately – both because I wrote my first book outside the Glitch world in
December and am looking towards my next few projects, and because I’m editing
Shutdown, the last Glitch book (a book that I was really able to sink into and
take the characters some intense and cool places, emotionally).
I guess that’s what I’ve really been thinking about: how to
write stories that emotionally, readers can relate to or think, ‘hey, I’ve felt
like that,’ even if I’m writing impossible and outlandish plots.
I often think the best books are ones where you can almost feel authors struggling with something on the page, whether it be a big question about life (see Gabrielle Zevin’s Elsewhere), or teenagers with cancer (John Green’s TFIOS), or grief (Nelson’s The Sky is Everywhere, McNamara’s Lovely Dark and Deep, Courtney Summers’ Fall For Anything), or an experience of being the mean girl (Summers’ Some Girls Are), or thinking about temptation and good and evil (like the ring in LOTR), or exploring an existential crisis about what it means to be human (Marion’s Warm Bodies), etc.
So because I’m trying to write emotionally resonating characters, and one way to do that is to write what you know, like Flannery O’Conner, my stories are often going to have physically broken people. People with the wooden legs or deadly allergies or other health problems that neither medicine nor magic can fix.
Any resolutions to these problems are going to be hard fought for, and will most likely leave the character very different than when they first started out, sometimes very battered. This is certainly true of Shutdown, when one character veered off in ways I didn’t expect. I had an idea of where the character would end up back when I wrote the synopsis two years ago, but the journey getting there was far more arduous than I first expected. The character dramatically changed as I wrote them, because I realized there was no way these circumstances wouldn’t change the person. I’ve experienced the way that life can dump things on you that you can’t escape, whether you see them coming or not. You can’t run away and you can’t pretend your entire life hasn’t changed. So you find ways to cope with it, both good and bad.
In the book I just wrote and the one I’m thinking of writing next, I’m tackling—in a very sideways manner—the way that circumstances and physical disability can intrude on your plans and dreams. And then letting it fly and watching how my characters react. In one book, the main character reacts by being furious about his situation, in the other, the MC is so accepting of her bad circumstances at first that she doesn’t fight back against them at all. In both cases, the illnesses are somewhat supernatural, but I’m exploring some things that very much resonate with me in real life, with the debilitating chronic illness I’ve fought with for eleven years. Anger and acceptance are kind of constant warring states in my head. I can write these characters so easily, because I know how it feels.
But these obviously aren’t just stories for sick people alone—in fact, I don’t think most people will even see this as a subplot when they read the books. Still, the question I most want to explore through my writing (and my life really) is: how do we find peace and joy through difficult life circumstances? Because this at least is universal—you will have difficult circumstances in your life, no matter if you are fifteen or fifty. You will encounter conflict and sometimes, you will suffer.
This is all the inside track though, the things going on in my head as I wrote. As I mentioned a moment ago, I don’t think any of this is explicit, you might not pick up on these underlying themes in these books unless you’ve read this blog post and remember it. After all, in addition to wrestling with these problems that create internal conflict for my characters, they are also all falling in love. Because well, in addition to wanting to explore some meaty life questions for myself, I’m also just a sucker for romance J
Anyway, all of this is a tool I’ve used to help me dig deeper with my characters. Too often we think that ‘write what you know’ just means we should write about external experiences we’ve had in our lives. Um yeah, if I stuck to that, I'd be writing stories no one wants to read about sitting on a couch for hours on end! But I’m learning that using ‘write what you know’ can really ratchet up your characters by infusing them with the emotional and mental dilemmas you yourself have wrestled with.
Labels:
Book 3,
chronic fatigue syndrome,
personal,
Shutdown,
writing
Tuesday, January 1, 2013
Looking Back & Looking Ahead
So New Year’s is a time of looking both back and forward.
Back on the year that past, forward to what’s coming next.
Looking back: 2012 was a wicked f’ing crap-ton of a hard
year, physically, emotionally, and work-wise. I experienced more health problems
than ever before in my life, but I also wrote two books and took them through
most of the editing stages, then for fun wrote another book entirely in
December. I lost my love for writing, then powered through and eventually
gained it back again. I faced deadlines and met each one. I’ve learned SO
FREAKING MUCH about writing this year. It was a crash course, a
dump-you-in-the-deep-end-and-hope-you-don’t-drown course, but I finally figured
out how to swim (though there were a couple of times I was sure I was gonna drown). Btw, if you know a debut author, give them a hug, because the debut year all on it's own is a crazy intense and stressful thing.
Let’s see, what else? My eating habits have changed entirely due to the Meniere’s disease, so I consume only trace amounts of salt every day, drink no coffee, and drink no alcohol. I live pretty much like a little nun, sans the headdress and plus pink hair.
And best of all, I’m happy.
Looking forward: Lots of uncertainties that will make me crazy if I let them. The second and third book of the Glitch trilogy will be out this year (Override in Feb, Shutdown in July). But will they all sell well? Will readers like them? Will my agent like the new book I just wrote, and will my editor want to acquire it? Will this one exciting thing happen or won’t it, and will I be okay if it doesn’t?
My response to most of these is to limit my expectations and expect the worst. I know that sounds bad. I’m not actually a pessimist, but I prefer to expect the worst rather than hope for something so hard and then have the hope stomped on (especially after a year of lots of stompage!) Then if the good thing happens, I’m happily surprised. And when good things come, they feel more like grace, like things I didn’t deserve but was given anyway, and I feel a deep and profound gratitude. And when bad things come, I do lots of meditation and try to turn my sights back only on the day in front of me, which is the only thing I can control, and let the future worry about itself.
Up directly ahead on the docket is editing the book I just finished today, all the way up until edits for Shutdown come back from my editor. Then I’ll hand off New Book to agent man to see what he thinks, and lose myself in Shutdown edits for several weeks. Then turn those in, and go back to editing New Book with whatever thoughts and critiques agent man gives.
At least this is how I envision it working, but I’m certainly familiar enough with how life likes to intervene in our nicely laid little plans.
Either way, 2013 ought to be a far less stressful year than 2012, and I’m looking forward to good times ahead.
What are you looking forward to this year?
Tuesday, December 11, 2012
Writing Process: First Drafts
Writing a brand new novel (my first after finishing
the Glitch trilogy) is a totally weird experience. I started and stopped three other books as I tried to settle on the one I want to write. Fourth idea was the winner! I really believe it can be a great book, the book I’ve been
wanting to write for years.
For me, drafting is always fraught with equal parts anxiety and excitement. On one hand, when I get in a crazy groove like I’m in now, I’m a totally happy person – cheery with my husband, laughing with my son. And on the other hand, I’m a neurotic mess because of this weighty pressure or anxiety—the best metaphor for how it makes me feel is like I can’t take a deep breath till I’ve gotten the story in my head all out on paper. Like if I don’t get it down NOW it will all evaporate. It’s so intangible just sitting up there in my brain. I’m jittery and restless until I can get it solid on paper, something I can hold in my hand. So all throughout the day I feel this nagging desire tugging at the back of my brain to get back to the book, like worrying about whether you turned the coffeemaker off or something else important you’ve left undone but can’t quite put your finger on. I'm almost constantly thinking about the book, scheming for when I can next steal some time and energy to work on it.
A lot of the time, when I’m not actually writing, I’m still just lost in the world of it. Planning out my next scene, thinking about the character arc of my MC. But also now I hear other voices in my head—wondering if it’s good enough, if we’ll be able to sell it, if my agent will like it. If I let myself think about those things, they can totally derail the creative process.
Part of the issue is I’m an ugly first drafter. My characters are too reactive, the melodrama goes way over the edge from captivating to schlocky, and I generally figure out how the plot should be told as I’m in the latter 3/4 of the book. I listen to the fabulous Writing Excuses podcast on a regular basis and one writer on there keeps talking about how he’s a one drafter. As in, his first draft is his last draft. I cannot wrap my brain around that. It’s how I so WISH I could write. All the saved words and pages and time! I’ve tried outlining, revising as I go, and a number of other trick but I think it’s time I accept the fact that it’s not how I work.
Second drafts are where the magic happens for me. I need the clay lump of the book and then I can see it all at once and see where I need to shave and where I need to plump. Doing this long enough, I’ve started to learn about myself through my writing process—see the unique and strange ways my mind works. I’ve learned I’m almost a better editor than writer, or that for me, the two tasks are equally at work in producing a book. I write a bad first draft, then the editor in me takes over and sees how it needs to be shaped for character, story, and themes to really be clear. Then I rewrite half the book (or the whole book) and go back in with editor-self again, wash, rinse, repeat until I have a book I’m satisfied with. I wish there was another way that didn’t involve so much work! But alas. This brain is all I’ve got, and I hope I’m learning to embrace my process rather than fight against it.
For me, drafting is always fraught with equal parts anxiety and excitement. On one hand, when I get in a crazy groove like I’m in now, I’m a totally happy person – cheery with my husband, laughing with my son. And on the other hand, I’m a neurotic mess because of this weighty pressure or anxiety—the best metaphor for how it makes me feel is like I can’t take a deep breath till I’ve gotten the story in my head all out on paper. Like if I don’t get it down NOW it will all evaporate. It’s so intangible just sitting up there in my brain. I’m jittery and restless until I can get it solid on paper, something I can hold in my hand. So all throughout the day I feel this nagging desire tugging at the back of my brain to get back to the book, like worrying about whether you turned the coffeemaker off or something else important you’ve left undone but can’t quite put your finger on. I'm almost constantly thinking about the book, scheming for when I can next steal some time and energy to work on it.
A lot of the time, when I’m not actually writing, I’m still just lost in the world of it. Planning out my next scene, thinking about the character arc of my MC. But also now I hear other voices in my head—wondering if it’s good enough, if we’ll be able to sell it, if my agent will like it. If I let myself think about those things, they can totally derail the creative process.
Part of the issue is I’m an ugly first drafter. My characters are too reactive, the melodrama goes way over the edge from captivating to schlocky, and I generally figure out how the plot should be told as I’m in the latter 3/4 of the book. I listen to the fabulous Writing Excuses podcast on a regular basis and one writer on there keeps talking about how he’s a one drafter. As in, his first draft is his last draft. I cannot wrap my brain around that. It’s how I so WISH I could write. All the saved words and pages and time! I’ve tried outlining, revising as I go, and a number of other trick but I think it’s time I accept the fact that it’s not how I work.
Second drafts are where the magic happens for me. I need the clay lump of the book and then I can see it all at once and see where I need to shave and where I need to plump. Doing this long enough, I’ve started to learn about myself through my writing process—see the unique and strange ways my mind works. I’ve learned I’m almost a better editor than writer, or that for me, the two tasks are equally at work in producing a book. I write a bad first draft, then the editor in me takes over and sees how it needs to be shaped for character, story, and themes to really be clear. Then I rewrite half the book (or the whole book) and go back in with editor-self again, wash, rinse, repeat until I have a book I’m satisfied with. I wish there was another way that didn’t involve so much work! But alas. This brain is all I’ve got, and I hope I’m learning to embrace my process rather than fight against it.
Thursday, November 29, 2012
YA Scavenger Hunt!
Welcome to YA Scavenger Hunt! This tri-annual event was first organized by author Colleen Houck as a way to give readers a chance to gain access to exclusive bonus material from their favorite authors...and a chance to win some awesome prizes! At this hunt, you not only get access to exclusive content from each author, you also get a clue for the hunt. Add up the clues, and you can enter for our prize--one lucky winner will receive one signed book from each author on the hunt in my team! But play fast: this contest (and all the exclusive bonus material) will only be online for 72 hours.
Go to the YA Scavenger Hunt page to find out all about the hunt. There are TWO contests going on simultaneously, and you can enter one or all! I am a part of the BLUE TEAM--but there is also a red team for a chance to win a whole different set of twenty-five signed books!
If you'd like to find out more about the hunt, see links to all the authors participating, and see the full list of prizes up for grabs, go to the YA Scavenger Hunt homepage.
SCAVENGER HUNT PUZZLE
Directions: Below, you'll notice that I've
listed my favorite number. Collect the favorite numbers of all the authors on
the blue team, and then add them up (don't
worry, you can use a calculator!).
Entry Form: Once you've added up all the
numbers, make sure you fill out the form here to officially qualify for the grand prize.
Only entries that have the correct number will qualify.
Rules: Open internationally, anyone below
the age of 18 should have a parent or guardian's permission to enter. To be
eligible for the grand prize, you must submit the completed entry form by December 2nd, at noon Pacific Time. Entries sent without the correct number or without
contact information will not be considered.
COURTNEY ALLISON MOULTON
I am hosting the fabulous Courtney Allison Moulton for the YA Scavenger
Hunt! Courtney
lives in
Find out more information by checking out her website or find more about her book here:
About A Dance With Darkness:
At the end of the fourteenth century, angelic reapers
struggle to defend London
against a legion of the demonic who have their sights set on claiming human
souls and ancient relics for a dark purpose. Madeleine, a young but powerful
warrior, is duty-bound to fight the demonic, and she lives for this pursuit
above all else. Then, on a routine night of tracking, she is ambushed by a
cadre of reapers and, though she defeats them all, she is left wounded and at
the mercy of their lord, the notorious Bastian.
Madeleine is astonished when Bastian lets her live. She goes
deeper into the world of the demonic and is shocked to meet him again-this
powerful reaper whose touch makes her restless and gives her a thrill unlike
anything else. When they fall into a dangerous clandestine affair, her head and
her heart must wage their war: can their love overcome his demonic nature? Will
her dance with darkness burn her or bring Bastian into the light?
With scorching romance and fantastic action, this original
novella is a prequel to Courtney Allison Moulton's gripping and epic Angelfire
series.
EXCLUSIVE CONTENT
A DANCE WITH DARKNESS
Preview
I
felt a sharp, agonizing rip in my body and looked down to see a blade plunged
through my gut. The final reaper had recovered more quickly than I anticipated.
Fiery pain rolled through my belly like a billowing inferno and I almost fell
to the ground. If my knees buckled, then I was dead. I was not ready to die
yet. I’d come too far to accept death now. I stepped forward, pulling off his
blade, and the pain reignited full force. I turned to him and my eyes took him
in. He was bigger than I was, stronger, and older by a century at least.
He
kicked me, driving his boot right into my healing belly wound and cracking
deeper things, and I doubled over with a gasp of pain. He raised his heavy
sword high over his head and brought it down, but I caught it with one of mine.
There was no way I would win a battle of brute strength against him like I had
against the last reaper. I pushed my sword into his as he forced all of his
might into mine. I wouldn’t last more than a heartbeat, but that was all the
time I needed. I let up, and he lost his balance as his body carried him
forward. My second sword buried itself into his chest with precision, giving me
an inch between metal and heart. Skill trumped brute strength any day. I tossed
the sword I’d claimed from one of my fallen foes to the wooden floor with a
clatter. The reaper I skewered lowered himself to his knees, gritting his teeth
in pain; he had accepted death. Pathetic. I leaned over him and grabbed a
fistful of his tunic.
“Who
are you working for?” I growled into his face. “Why are you in London ?”
“I
will tell you nothing,” he spat. “Take my fingers, my eyes, whatever you wish.
I will not betray my mission.”
My
lip curled. If I tortured him, I was certain I could get something useful out
of him, but I knew I didn’t have that in me. I may have been built for
violence, but I wasn’t built for cruelty. “Then you have no purpose.”
I released
his tunic only to twist my sword right into his heart. His head lifted in agony
and he opened his mouth to let out a low whine. He fell, crumpling to the
ground, and his body shuddered for several long moments as he slowly turned to
stone. Six.
I slumped,
exhaling and then wincing. One of my ribs was broken. Possibly two. I looked
down to examine the wound through my belly. My dress was shredded and I could
see the wound struggling to heal. I needed to eat in order for my body to
regain the energy it needed to heal my wounds.
“You
killed six of my best men,” came a voice behind me, and I spun around. Another
reaper stood in the doorway to the chandler’s workshop and I wondered how long
he’d been standing there. He was demonic, without a doubt. With the other
reapers gone, I could feel the pressure of his dark power shoved into every
inch of my body like I was sinking through deep water.
Though
my breathing was ragged and I couldn’t quite stand straight, I prepared myself
to continue fighting. I lifted my sword and poised it at the final reaper. “I
have a seventh heart left to take tonight.”
His
smile was slow and wide. He was beautiful—that I had to give him. His eyes were
blue like poison, brighter than any jewel—like blue diamonds that did not reflect
light, but generated their own from tiny stars burning within. “Very bold,” he
said, those eyes flashing. “Very bold, indeed.”
My
smile matched his as I hid my pain. “I did just kill six of your best men, did
I not?”
He
laughed and put his hands on his hips. “Now what? You’re wounded, exhausted,
and you still have the master of your fallen opponents to contend with. Still
bold?”
I
did not falter. “Always.”
He
vanished suddenly and reappeared directly in front of me. His hand grabbed my
sword wrist and twisted, forcing me to cry out, but I didn’t drop my blade. His
other hand grabbed my free arm and held it tight. His strength was
unfathomable. Fighting him was hopeless and suffocating, like being buried
alive. I ground my teeth together, breathing rapidly.
“Who
are you, little angelic reaper?” he crooned, his face close to mine.
I
lifted my chin to look right into his poison-blue eyes. “The wolf does not tell
the stag her name before she takes his throat.”
He
dipped his face closer to mine. “If the wolf asked for the stag’s name, he
would gladly give it. Especially when entranced by such an exquisite she-wolf
with emerald eyes.”
I
would not take his bait and ask him his name, but deep inside, I wanted to know
who he was. He was powerful and he had to be important if he was master to
others. I knew nothing about him other than that he was demonic and he was
older than all of the reapers I’d put down tonight combined. He had both my
hands trapped and I was in a vulnerable position, yet I felt no threat. I had survived
many battles, defeated many enemies, and I knew what it felt like to face
someone who wanted to taste my blood. This demonic reaper had no interest in
killing me. I had to know why.
“I
am Bastian,” the blue-eyed demon said. “I hope we meet again.”
Then
his hands were off of me, and he was gone. I stood there, breathless and alone,
and shocked that I was still alive. I had not felt even a shiver of fear lick
up my spine until I heard that name, a name feared by every angelic reaper who
valued his life, and I realized the full extent of my luck. He couldn’t be the Bastian, one of the most powerful
reapers in the known world. He was rumored to be in the Far East and far, far
away from England .
His presence here could mean nothing good for any of us.
But
why had he let me live?
And
don't forget to enter the contest for a chance to win a ton of signed books by
me, Courtney Moulton, and more! To
enter, you need to know that my favorite number is 10. Add up all the
favorite numbers of the authors on the blue
team and you'll have all the secret code to enter for the grand
prize!
BONUS CONTEST
Also, while you're here don't forget to enter my bonus contest for a signed copy of GLITCH I
am running exclusively during the YA Scavenger Hunt. Click here to go to my Rafflecopter giveaway on Facebook!
CONTINUE THE HUNT
To keep going on your quest for the hunt, you need
to check out the next author! Click HERE!
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